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Its Mine today!! So I'm One foot in One foot out today!
Four years, three painstakingly-detailed sets, 28 sassy characters, a head-shaking 10,000 photos later and Terpins Greco, the 40-member Brazilian team responsible for producing Battle: The Vinyl War, is finally seeing the juicy fruits of their labor. This month and next their stop-motion animation will be shown on Brazil's Cartoon Network channel in a four-part weekly series.
The shorts, which clock in at a brief five minutes each, follow the story of a vinyl shakedown between two DJs set in the favelas of São Paulo. Though all fictional, it's the classic story of the established versus the newcomer. DJ Black Jahmantha, a man who needs no introduction, faces DJ Air, a new up-and-comer, while DJ Thiade oversees the battle. Staying true to real life scenes found in Brazilian street and hip-hop culture, famous underground hip-hop DJs King and Cia were recruited to be the voices and music behind the main characters and Thiade got to cameo as himself.
Mzoli's is a butchery, which doubles up as a very popular restaurant. But a restaurant with a difference - and soon we discovered it to be the ultimate social networking, user-generated business outside of Wikipedia
You start off in the butchery - choosing from a vast selection of meat cuts, Your meat is handed to you in a huge enamel bowl (secret marinate optional), which you take to the braai kings at the back of the shop for a good grilling.
Head out to the 'restaurant' section of the shop, around the corner and take a seat.The first thing you'll soon notice is that there are no waitron staff. If you want drinks - you have to go to the house next to number 4 across the road.
You'll probably be offered a seat at the game of cards already underway and a Jack on the rocks, but if you're focussed on your mission - you'll get the beer you're after in the fridge in the kitchen
Bread (good with the marinade) can be bought at the spaza shop on the corner.The idea is that Mzoli's supplies the meat (and a wet cloth if you're looking suitably messy) and leaves the rest to the neighbourhood business community to supply. Even the music is courtesy of restaurant goer's parked cars.
The place was packed by 2pm, with loads of people waiting for tables throughout the rest of the afternoon.
Via cherryflava
The Walt Disney Company has prospered by keeping an extra-tight leash on its animated critters. Publish a comic book depicting Mickey Mouse as a sadomasochistic smoker, as a group of underground cartoonists did in the 1970s, and prepare for a not-so-magical encounter with copyright lawyers.
So why is Disney tolerating YouTube videos that turn Bambi, Simba and Winnie the Pooh into rap stars? YouTube users started posting the videos, set to “Crank That (Soulja Boy)” by the rapper Soulja Boy, about five months ago.
The postings (called mash-ups), are made by editing together snippets of animated movies and TV shows. The finished products look like music videos in which the cartoon characters do the singing. As “Crank That” climbed the music charts over the summer — the song hit No. 1 on the Billboard Hot 100 this month — the videos started gaining in popularity and users edited together versions using characters owned by other big media companies. A version using clips taken from Nickelodeon’s “SpongeBob SquarePants” has been viewed more than seven million times.
Emmy-winning television show creators Ed Zwick and Marshall Herskovitz are teaming up with MySpaceTV to distribute their new online series, "Quarterlife." The first "Webisode" will air on MySpaceTV November 11.http://quarterlife.com/
“When Emmy award-winning producers come to MySpaceTV you know this is reaching a whole new level,” said Chris DeWolfe, CEO of MySpace. “We’re proud to offer the creative community a blank canvas and open platform to express their vision.”
Herskovitz and Zwick are the Emmy Award-winning co-creators of the TV series thirtysomething and My So-Called Life; they have also produced hit movies, such as Traffic and Blood Diamond.
BORN inFAMOUS is the latest suite of paintings utilizing Pecou’s alter ego as “art celebrity”. These works consider and challenge art-world politics and issues of the black male body. Audacious, confrontational, and witty, the work appropriates the lexicons of celebrity, magazine, and fine art culture to facilitate conversations that allow the viewer to examine these traditionally separate worlds and see where they connect.
In BORN inFAMOUS, Pecou ups the ante with the swagger of a Blaxploitation anti-hero, battling a system that prides itself on tokenism and flavor-of-the-month icons. The paintings in this series cite the work and words of figures like Melvin Van Peebles and Andre 3000 (of the hip-hop group Outkast), whose ability to stay politically and socially current in their work make them relevant to a contemporary audience as they recalibrate their work and careers across genres and styles.
On the 10th anniversary of our 10 Producers to Watch list, Variety looks both forward and back. We present a new crop of producers showing great promise.
Click the links to read the stories.